Newcastle Gig

Jane Campion (Film Maker/Writer)
“Listening to her is a totally original experience. Treasured, deep, intoxicating”

From “Testimony. The Legend of Charlie Parker” The Australian Art Orchestra, Hilary Shrub
“Of the vocal soloists, Sparke’s gut-wrenching Camarillo pt 2 which ended the first half was a showstopper”

Doug Spencer (ABC Radio National Producer/Programmer of The Planet)
“One day in 1992 I was wading through the then-seemingly-perpetual-magic-pudding of new releases. I put on the eponymous album by a Sydney-based, gospel-based choir, The Cafe of the Gate of Salvation. The first couple of tracks were good, not great, but good. Then came a track called “Child of Love”; once its vocal soloist (and, I later realised, author) launched into flight, the music was suddenly in utterly another league – her voice, her phrasing were utterly singular. Whoever this was, she was refreshingly herself, no pale shadow of Mahalia Jackson, Marion Williams, Rosetta Tharpe, whomever… She sounded nothing remotely like Aretha Franklin, but hearing her for the first time was similarly electrifying.

Her name, I discovered, was Tanya Sparke. Eventually, late in 1997, Tanya Sparke released her own album, Darkwood Road.

Nearly twenty years later, it remains one of my favourite Australian albums, ever. Its best songs are highly poetic, very beautiful, and not too much like each other. The singer’s voice is truly singular. That said, she never coasts on having “a lovely voice”, and she really interacts with the other musicians. Her delivery is adult, blessedly free of the “girly-whirley-twee” mannerisms, the “if I shout I might sound more black”, the poor diction, the phoney American accents, sheer inaccuracy, and various other shortcomings that so many “successful Australian recording artists” routinely inflict upon us. Equally pleasing is the album’s lack of production cliches. Its best cuts are still fresh, timeless – something definitely not true of most 1997 singer-songwriter recordings. It simply beggars belief that Darkwood Road should remain this artist’s only full release.”

 

Money made will go towards her 2nd and 3rd CD’s.

 

 

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